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He continues to weave in mentions of Shakespeare’s Othello, gunned-down black teen Trayvon Martin and mermaids. These are not the thoughts of a hurried man. “Said she need a ring like Carmelo,” he adds, likening her need for a wedding ring to the New York Knicks superstar’s burning desire to win NBA championship bling. They want checks (a term of cash here) and a lot of them. Frank realizes that many women have been after him to take advantage of his wealth. The LP opens with “Nikes,” a mellow number that has less to do with the sportswear brand and more with its iconic check symbol. But his ability to turn a phrase bests each of his contemporaries. “If you could fly then you’d feel south/ Up north’s getting cold soon,” Frank sings on Blonde’s “Pink + White,” where he thoughtfully compares a lover’s need for warmth in a relationship to a bird fleeing winter’s chill and heading to the tropics. He’s not a funky, one-man-band like Anderson. He’s not a dancing machine like Chris Brown. Within his four-year disappearance, a challenge lay in front of Ocean: Not only did he have to follow up a debut that earned him a Grammy Award and much praise from peers and fans alike, he now seemingly had to put together a project that merited the amount of time he spent crafting it. If the last few days of watching ravenous consumers unwrap and unpack both Endless and Blonde on social media is any indication, his latest 17-track set is that and more.įor Ocean, words are his greatest weapon. The long-assumed title, Boys Don’t Cry, is now an art magazine Ocean published and released Saturday at pop-up shops in New York, Los Angeles, London and Chicago.įrank Ocean Drops New Album ‘Blonde,’ Gives Out ‘Boys Don’t Cry’ Magazine at Pop-Up Shops Two days later, Ocean finally dropped the album called Blonde (or Blond, if you go by the cover copy). What was once a stagnant loop became a 45-minute film called Endless, where Ocean’s wood shop exercise materialized into the building of a staircase to the sounds of new tunes. Thankfully, in an unexpected turn of events last Thursday, the Frank Ocean show finally began. Still - no music. It was the next best thing to watching paint dry.
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Puzzled viewers took their wildest guesses as ambient sounds played around him. This summer, there were more missteps, like the looped Apple Music-tagged video footage on the site at the top of August with the singer seen in an empty warehouse constructing something. That month, and eventually year, would come and go with no new material (not counting his rare appearance on “Wolves” from Kanye West‘s The Life of Pablo) or any explanations. In April 2015, a presumably eager Ocean (along with his Def Jam record label) hinted that the follow-up to his critically acclaimed major-label debut Channel Orange would arrive in July 2015 under the title Boys Don’t Cry.
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To be fair to thirsty fans, Ocean’s Blonde rollout was full of pump fakes and teases.